5 Things to Know About the Rod Wave Type Beat "All My Fault" by swanton

Video: [FREE] Rod Wave x Toosii Type Beat - "All My Fault" | Guitar Type Beat

Oct 29, 2026 · based on the channel swanton

A Rod Wave type beat is a melodic, guitar- or piano-driven trap instrumental built for emotional, sung-rapped vocals, and "All My Fault" by swanton is a current example: an F minor, 170 BPM guitar beat made for a Rod Wave x Toosii blend. The beat is free for non-profit use and can be licensed for commercial release through the BeatStars purchase page, where the lease and exclusive options are listed.

What defines the Rod Wave type beat sound

The Rod Wave type beat sound is defined by slow-to-mid tempo melodic trap with acoustic or clean electric guitar, soft piano layers, wide reverb and drums that leave room for a vocal to sit on top. Producers build these instrumentals around a simple, repeatable chord loop rather than a busy arrangement, because the artist's delivery — half-sung, half-rapped, often confessional — carries the emotional weight.

Key traits listeners and producers associate with the style:

• Guitar or piano as the lead voice. "All My Fault" is filed as a guitar type beat, so the loop is plucked or strummed rather than synthesized.
• Minor-key harmony. This beat sits in F minor, a key that supports the melancholy tone the style is known for.
• Melodic 808s and soft snares. The low end carries the melody as much as the bassline does.
• Space in the mix. Fewer elements mean a vocalist can stack harmonies without the beat turning muddy.
• A pain/sad tag. Search terms like pain type beat and sad type beat describe the same lane, so a single instrumental can rank under several names.

The specifics of "All My Fault": key, tempo and credits

"All My Fault" is an F minor instrumental at 170 BPM, produced by swanton together with alexmadethis and prod_h2o. The tempo is the most practical detail for a vocalist: at 170 BPM the beat can be rapped double-time over the full pulse or half-time over the 85 BPM feel, which is where most Rod Wave-style records actually sit. That flexibility is why the same file can serve a reflective verse and a more urgent Toosii-style hook.

The credit line is fixed by the producer: (prod. @swanton, @alexmadethis, @prod_h2o). Anyone using the free version has to include it, so it is worth writing into the track metadata and video description before upload rather than after.

Free download versus a commercial license

The free version of this Rod Wave type beat is limited to non-profit use, meaning non-monetized uploads on platforms such as SoundCloud or YouTube. The moment a song is monetized, distributed to Spotify or Apple Music, or used in a monetized video, a lease or exclusive purchase is required — otherwise the release is exposed to copyright claims and takedowns.

A simple way to decide which route applies:

1. Non-profit only. Free download, credit in the description, no ads, no streaming royalties.
2. Monetized release. Buy a lease on the beat's BeatStars page; leases typically cap streaming numbers and forbid reselling the instrumental.
3. Full control. Request exclusive rights so the beat is removed from the store and no other artist can license it.
4. Bulk buying. The store runs a buy-2-get-1-free offer on leases of the same license type; the discount applies automatically when three matching items are in the cart.

How to write to a guitar type beat in F minor

Start with the loop, not the drums: hum a melody against the guitar figure in F minor and find where the phrase wants to breathe. Because the harmonic movement is limited, the strongest topline usually comes from rhythm — pushing a syllable slightly ahead of the kick or holding a note across the bar line.

Practical steps for a session:

• Set the project to 170 BPM and try both the full-time and half-time feel before committing to a flow.
• Keep the verse sparse; save doubled harmonies and ad-libs for the hook.
• Write the emotional anchor line first — the style rewards plain, direct statements over dense wordplay.
• Leave the intro loop exposed for four to eight bars so the guitar is heard before the drums enter.
• Record a reference mix with the credit already in the file name to avoid losing the producer tags later.

Typical questions from producers and artists

Most doubts around free type beats come down to permissions and paperwork rather than music. A recurring one is whether a free beat can be uploaded to streaming services — it cannot, unless a license is purchased. Another is whether credit is optional: it is not, and the required format is specified by the producer.

Artists also ask whether the same beat can appear on several songs. With a lease, other artists may hold the same non-exclusive rights, so two songs can share an instrumental; only an exclusive purchase removes it from the store. Finally, there is the question of what happens after a claim: the practical fix is to buy the license and submit it to the distributor, not to re-upload under a new title.

All the links for this beat

• Buy or license "All My Fault": https://bsta.rs/bp5C7c
• Full beat store: https://www.beatstars.com/beatsbyswntn/tracks
• Producer's Instagram: https://www.instagram.com/swantonmadeit/

Final take on the Rod Wave type beat "All My Fault"

"All My Fault" is a usable, well-specified instrumental: F minor, 170 BPM, guitar-led, credited to three producers and priced on a clear free-versus-lease model. For a vocalist working in the Rod Wave or Toosii lane, the half-time feel at 170 BPM is the detail that makes it easy to write to, and the fixed credit line is the detail that keeps a release clean. The video breakdown comes from the channel swanton, which also maintains the store where the license is sold. If the track is heading anywhere monetized, license it through the BeatStars page before release.

Source: [FREE] Rod Wave x Toosii Type Beat - "All My Fault" | Guitar Type Beat · Markdown version