# 5 Things to Know About the Rod Wave Type Beat "All My Fault" by swanton A guide to swanton's Rod Wave x Toosii type beat "All My Fault": 170 BPM in F minor, guitar-led melodic trap, free vs. licensed use, credits and links. Source: https://canlitribun842.top/5-things-to-know/ · based on the channel [swanton](https://www.youtube.com/channel/UCalTiPNCXYCRpSyM9IzumVg) · Video: [(FREE) Rod Wave x Toosii Type Beat - "All My Fault" | Guitar Type Beat](https://www.youtube.com/watch?v=5f5tnzBHbs4) · 2026-10-29 ![5 Things to Know About the Rod Wave Type Beat "All My Fault" by swanton](https://canlitribun842.top/5-things-to-know/5-things-to-know.webp) ## Key takeaways - "All My Fault" is a Rod Wave x Toosii type beat produced by swanton with alexmadethis and prod_h2o. - The beat is set in F minor at 170 BPM and is built around guitar. - The free download is for non-profit use only; monetized releases need a lease or exclusive license. - Credits must read (prod. @swanton, @alexmadethis, @prod_h2o) on any free use. - A buy-2-get-1-free offer applies to leases of the same license type. A Rod Wave type beat is a melodic, guitar- or piano-driven trap instrumental built for emotional, sung-rapped vocals, and "All My Fault" by swanton is a current example: an F minor, 170 BPM guitar beat made for a Rod Wave x Toosii blend. The beat is free for non-profit use and can be licensed for commercial release through [the BeatStars purchase page](https://bsta.rs/bp5C7c), where the lease and exclusive options are listed. ## What defines the Rod Wave type beat sound The Rod Wave type beat sound is defined by slow-to-mid tempo melodic trap with acoustic or clean electric guitar, soft piano layers, wide reverb and drums that leave room for a vocal to sit on top. Producers build these instrumentals around a simple, repeatable chord loop rather than a busy arrangement, because the artist's delivery — half-sung, half-rapped, often confessional — carries the emotional weight. Key traits listeners and producers associate with the style: - **Guitar or piano as the lead voice.** "All My Fault" is filed as a guitar type beat, so the loop is plucked or strummed rather than synthesized. - **Minor-key harmony.** This beat sits in F minor, a key that supports the melancholy tone the style is known for. - **Melodic 808s and soft snares.** The low end carries the melody as much as the bassline does. - **Space in the mix.** Fewer elements mean a vocalist can stack harmonies without the beat turning muddy. - **A pain/sad tag.** Search terms like pain type beat and sad type beat describe the same lane, so a single instrumental can rank under several names. ## The specifics of "All My Fault": key, tempo and credits "All My Fault" is an F minor instrumental at 170 BPM, produced by swanton together with alexmadethis and prod_h2o. The tempo is the most practical detail for a vocalist: at 170 BPM the beat can be rapped double-time over the full pulse or half-time over the 85 BPM feel, which is where most Rod Wave-style records actually sit. That flexibility is why the same file can serve a reflective verse and a more urgent Toosii-style hook. The credit line is fixed by the producer: (prod. @swanton, @alexmadethis, @prod_h2o). Anyone using the free version has to include it, so it is worth writing into the track metadata and video description before upload rather than after. ## Free download versus a commercial license The free version of this Rod Wave type beat is limited to non-profit use, meaning non-monetized uploads on platforms such as SoundCloud or YouTube. The moment a song is monetized, distributed to Spotify or Apple Music, or used in a monetized video, a lease or exclusive purchase is required — otherwise the release is exposed to copyright claims and takedowns. A simple way to decide which route applies: 1. **Non-profit only.** Free download, credit in the description, no ads, no streaming royalties. 2. **Monetized release.** Buy a lease on [the beat's BeatStars page](https://bsta.rs/bp5C7c); leases typically cap streaming numbers and forbid reselling the instrumental. 3. **Full control.** Request exclusive rights so the beat is removed from the store and no other artist can license it. 4. **Bulk buying.** The store runs a buy-2-get-1-free offer on leases of the same license type; the discount applies automatically when three matching items are in the cart. ## How to write to a guitar type beat in F minor Start with the loop, not the drums: hum a melody against the guitar figure in F minor and find where the phrase wants to breathe. Because the harmonic movement is limited, the strongest topline usually comes from rhythm — pushing a syllable slightly ahead of the kick or holding a note across the bar line. Practical steps for a session: - Set the project to 170 BPM and try both the full-time and half-time feel before committing to a flow. - Keep the verse sparse; save doubled harmonies and ad-libs for the hook. - Write the emotional anchor line first — the style rewards plain, direct statements over dense wordplay. - Leave the intro loop exposed for four to eight bars so the guitar is heard before the drums enter. - Record a reference mix with the credit already in the file name to avoid losing the producer tags later. ## Typical questions from producers and artists Most doubts around free type beats come down to permissions and paperwork rather than music. A recurring one is whether a free beat can be uploaded to streaming services — it cannot, unless a license is purchased. Another is whether credit is optional: it is not, and the required format is specified by the producer. Artists also ask whether the same beat can appear on several songs. With a lease, other artists may hold the same non-exclusive rights, so two songs can share an instrumental; only an exclusive purchase removes it from the store. Finally, there is the question of what happens after a claim: the practical fix is to buy the license and submit it to the distributor, not to re-upload under a new title. ## All the links for this beat - Buy or license "All My Fault": https://bsta.rs/bp5C7c - Full beat store: https://www.beatstars.com/beatsbyswntn/tracks - Producer's Instagram: https://www.instagram.com/swantonmadeit/ ## Final take on the Rod Wave type beat "All My Fault" "All My Fault" is a usable, well-specified instrumental: F minor, 170 BPM, guitar-led, credited to three producers and priced on a clear free-versus-lease model. For a vocalist working in the Rod Wave or Toosii lane, the half-time feel at 170 BPM is the detail that makes it easy to write to, and the fixed credit line is the detail that keeps a release clean. The video breakdown comes from the channel swanton, which also maintains the store where the license is sold. If the track is heading anywhere monetized, license it through [the BeatStars page](https://bsta.rs/bp5C7c) before release. ## Questions & answers **Can I put a song over this free Rod Wave type beat on Spotify?** No. The free download covers non-profit use only, such as non-monetized YouTube or SoundCloud uploads. Distribution to Spotify, Apple Music or any monetized platform requires a purchased lease or exclusive license, and releasing without one risks copyright claims or takedowns. **What credit do I have to include when using the beat?** The producer specifies the exact format: (prod. @swanton, @alexmadethis, @prod_h2o). Put it in the track description and metadata on any free, non-profit release, since omitting it breaches the usage terms even when no money is involved. **What tempo and key is "All My Fault" in?** The beat is in F minor at 170 BPM. That tempo works either as a fast double-time pattern or as an 85 BPM half-time feel, which is the pocket most Rod Wave-style records use. **Can another artist use the same beat if I buy a lease?** Yes. A lease is non-exclusive, so the instrumental stays in the store and other artists can license it too. Only an exclusive purchase removes the beat from sale and gives one artist sole rights.